Advanced Diminished Passing Chords in F♯

This guide breaks down advanced gospel movements, specifically a sequence of diminished passing chords, used to transition smoothly to the VI (6) chord in the Key of F-sharp Major (F♯). The principles can be applied to any song when approaching the 6 chord.

The Advanced Passing Chord Movements to VI

The core lesson is a four-chord diminished passing movement that creates a smooth, gospel sound when transitioning to the VI (6) chord (D♯m).

Key: F-sharp Major (F♯)

The Four Diminished Chords

Practising the Voicings (Note-by-Note Breakdown)

Practice the specific fingerings for each chord slowly. The scale numbers are based on the F♯ Major scale (F♯=1, G♯=2, A♯=3, B=4, C♯=5, D♯=6, E♯=7).

• Chord 1:

  • LH: A♯ (3)

  • RH: E♯, A♯, C× (Double-sharp C)

• Chord 2:

  • LH: B (♯4)

  • RH: F♯, G× (Double-sharp G), D♯

• Chord 3:

  • LH: C♯ (5)

  • RH: G♯, B, E♯

• Chord 4:

  • LH: E♯ (7)

  • RH: B, C× (Double-sharp C), E♯, G♯

• Resolution:

  • LH: D♯ (6)

  • RH: D♯, F♯, A♯

Variations and Application

1. The Three-Chord Option

If the four-chord movement feels too long or complex for a fast transition, you can shorten it. Many players simply use the first three chords (A♯ bass, B bass, C♯ bass) and then skip directly to the D♯m (6). This still achieves the gospel sound while being more economical.

2. Universal Application

The power of this lesson is its versatility. You are not limited to using these chords only in "Lamb of God." This sequence can be applied in any song, in any key, any time you are moving into the VI (6) chord.

General Rule: Use diminished chords built on the chromatic steps leading to the root of the VI chord. The passing chords create movement between the structural chords of the song, making your accompaniment dynamic and sophisticated.

By practising these four movements and integrating them into your playing, you will significantly enhance your musicality and bring a signature gospel flavour to your arrangements.