How to play "Igama Lenkosi"

The song starts with a strong focus on the 1-chord, but the secret is in the movement to the 4. Instead of playing a standard root position chord, we use an inversion to keep the melody “tight.”

The Progression:

• The Start: 1 (F# Major)
• The Move: 4 (B Major – Second Inversion). Tip: Playing the 2nd inversion here gives that classic “hymn” resonance.
• The Passing Chord: A sharp 1 (F diminished) to lead us into the 2.
• The Landing: 2 (G# Minor) to 5 (C# Major).

2. The Chorus: “Libongwe Abantu”

The energy shifts here. We start from the 5 and resolve back home, but we add some “sauce” in the middle.

The Breakdown:

• Libongwe: Start on the 5 (C# Major).
• Abantu: Move to the 1 (F# Major).
• The Transition: 2 → 3 → 4.
• The Pro Touch: While holding the 4 (B Major), play a passing C chord (using the 6, 2, and #4 notes) to create tension before hitting the 5.

3. The “Alikho Igami” Walk-Up

This is the part that everyone loves to play! It’s all about the movement between the 1 and the 4.

• The Technique: Keep your right hand alternating between the 1-chord and the 4-chord.
• The Left Hand: Walk the bass up from 1 to 4.
• The Resolution: Once you hit the 4, walk it back down: 3 → 2 → 5 → 1.

4. The Bridge: “Uqwele, Uqwele”

This section uses Parallel Inversions, which is a hallmark of professional gospel playing.

To get that “smooth” sound, use the Second Inversion for every chord as you move down:

• 6 (D# Minor) → 5 (C# Major) → 4 (B Major).
• On the right hand, you can hold the 1-chord while the left hand moves, or follow the movement to create a thicker sound.

Summary Checklist for F# Major

• 1 (Root): F#
• 2: G# Minor
• 3: A# Minor
• 4: B Major
• 5: C# Major
• 6: D# Minor

Master Your Gospel Passing Chords

If you found that #1 passing chord or the walk-up tricky, you aren’t alone! Mastering the “in-between” notes is what separates a beginner from a professional.